Jamie O'Shea Jamie O'Shea

Having turned Juxtapoz into a generation and genre-defining art magazine during his ten years' tenure as editor-in-chief, Jamie O'Shea is working independently these days as a Creative Director. O'Shea continues to bring high-end projects to fruition. He's working with his creative partner Darren Romanelli to re-brand classic bands like the Beatles and his pals ZZ Top, and brokering sales for street-credible but gallery-averse artists like KAWS.
Now living in Los Angeles, O'Shea has not entirely given up the less remunerative struggles of being an editor. Post-Juxtapoz, O'Shea has just signed on as editor of Spread ArtCulture, a new quarterly art-and-design magazine from New York, and is lining up his myriad allies to start an art magazine of his own, in which all those careers he's launched in the last decade will be rubbing shoulders with their "official" art-world counterparts.


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FILM///THE REAL “AMERICAN GANGSTER”…
phofa - 11/15/2007
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If you thought “AMERICAN GANGSTER” didn’t exactly live up to all the hype (we didn’t), peep the original text on OG Frank Lucas in New York Magazine that kickstarted the flick in the first place. It’s better than the movie:

THE RETURN OF SUPERFLY
Frank Lucas, once the city’s biggest, baddest heroin kingpin, the original O.G. in chinchilla, now seems like just a very likable guy. But don’t be fooled.
By Mark Jacobson, Published Aug 7, 2000

During the early seventies, when for a sable-coat-wearing, Superfly-strutting instant of urban time he was perhaps the biggest heroin dealer in Harlem, Frank Lucas would sit at the corner of 116th Street and Eighth Avenue in a beat-up Chevrolet he called Nellybelle. Then living in a suite at the Regency Hotel with 100 custom-made, multi-hued suits in the closet, Lucas owned several cars. He had a Rolls, a Mercedes, a Corvette Sting Ray, and a 427 muscle job he’d once topped out at 160 mph near Exit 16E of the Jersey Turnpike, scaring himself so silly that he CLICK HERE TO CONTINUE READING…



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